This film is of a portrait of man's desire in relation to another man. However, from a post modern point of view, the portrait sits on a historical crossroads. A cynical appraisal of the story might tell of a bored, married, city commuter who is tied to the conventions of an office job and a marriage that has stagnated. The commuter seeks distractions from the hum-drum of his life and makes the mistake of falling for a bit of rough trade he picks up at the road side. The more he sees of the anarchy of the hustler's life the more he lets himself go. However, everything in the film want's you to believe in Etienne's (the city commuter) attempts not to see the situation in this way, but rather to share and perceive Etienne's ideas about spiritual love and redemption from suffering. In Etienne's delusions he is a Christian hero bringing salvation and peace by following the purity of his natural propensity to love. But from a Freudian perspective Etienne is a latent bi/homosexual in a state of contradictory denial and personal crisis characterised by self destruction.